[fusion_builder_container hundred_percent=»no» equal_height_columns=»no» hide_on_mobile=»small-visibility,medium-visibility,large-visibility» background_position=»center center» background_repeat=»no-repeat» fade=»no» background_parallax=»none» enable_mobile=»no» parallax_speed=»0.3″ video_aspect_ratio=»16:9″ video_loop=»yes» video_mute=»yes» overlay_opacity=»0.5″ border_style=»solid» padding_top=»0″ padding_bottom=»20″][fusion_builder_row][fusion_builder_column type=»1_1″ layout=»1_1″ spacing=»» center_content=»no» hover_type=»none» link=»» min_height=»» hide_on_mobile=»small-visibility,medium-visibility,large-visibility» class=»» id=»» background_color=»» background_image=»» background_position=»left top» background_repeat=»no-repeat» border_size=»0″ border_color=»» border_style=»solid» border_position=»all» padding=»» dimension_margin=»» animation_type=»» animation_direction=»left» animation_speed=»0.3″ animation_offset=»» last=»no» element_content=»»][fusion_text]
Sie, die Trommel. Mit der Bewegung ihres Körpers tanzt die Trommel und singt der Rhythmus. Die warmen Klänge der Marimba, der Duft ihres Rosenholzes und vier herumwirbelnden Schlegeln.
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Edith Habraken ist wie keine Andere fähig, ihr sorgfältig ausgewähltes Repertoire mit atemberaubender Perfektion auf «Perkussionsinstrumenten» zu spielen. Ein Geheimtipp für einen unterhaltsamen & temperamentvollen Abend.
[/fusion_text][fusion_separator style_type=»single solid» hide_on_mobile=»small-visibility,medium-visibility,large-visibility» icon=»fa-fast-forward» alignment=»center» /][/fusion_builder_column][/fusion_builder_row][/fusion_builder_container][fusion_builder_container hundred_percent=»no» equal_height_columns=»no» hide_on_mobile=»small-visibility,medium-visibility,large-visibility» background_position=»center center» background_repeat=»no-repeat» fade=»no» background_parallax=»none» enable_mobile=»no» parallax_speed=»0.3″ video_aspect_ratio=»16:9″ video_loop=»yes» video_mute=»yes» overlay_opacity=»0.5″ border_style=»solid» padding_top=»20px» padding_bottom=»20px»][fusion_builder_row][fusion_builder_column type=»1_3″ layout=»1_3″ spacing=»» center_content=»no» hover_type=»none» link=»» min_height=»» hide_on_mobile=»small-visibility,medium-visibility,large-visibility» class=»» id=»» background_color=»» background_image=»» background_position=»left top» background_repeat=»no-repeat» 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/][/fusion_builder_column][/fusion_builder_row][/fusion_builder_container][fusion_builder_container hundred_percent=»no» equal_height_columns=»no» hide_on_mobile=»small-visibility,medium-visibility,large-visibility» background_position=»center center» background_repeat=»no-repeat» fade=»no» background_parallax=»none» enable_mobile=»no» parallax_speed=»0.3″ video_aspect_ratio=»16:9″ video_loop=»yes» video_mute=»yes» overlay_opacity=»0.5″ border_style=»solid» margin_bottom=»20″ padding_top=»20px» padding_bottom=»0″][fusion_builder_row][fusion_builder_column type=»1_1″ layout=»1_1″ spacing=»» center_content=»no» hover_type=»none» link=»» min_height=»» hide_on_mobile=»small-visibility,medium-visibility,large-visibility» class=»» id=»» background_color=»» background_image=»» background_position=»left top» undefined=»» background_repeat=»no-repeat» border_size=»0″ border_color=»» border_style=»solid» border_position=»all» padding=»0px 0px 0 0px» margin_top=»» margin_bottom=»» animation_type=»» animation_direction=»left» animation_speed=»0.3″ animation_offset=»» last=»no»][fusion_testimonials design=»classic» random=»no» hide_on_mobile=»small-visibility,medium-visibility,large-visibility»][fusion_testimonial name=»Dominik Heitz» avatar=»none» company=»Basler Zeitung, 26. Februar 2016″ target=»_blank»]
„Als Holländerin, die in Basel lebt, und als Trommlerin wie Schlagzeugerin vermag sie mit dem Blick von aussen und feinem psychologischem Gespür das Typische, das Geheimnisvolle am Basler Trommeln auf eine anschauliche Weise zu erklären, wie es bisher in keinem Buch in dieser Klarheit beschrieben worden ist.ˮ
[/fusion_testimonial][/fusion_testimonials][/fusion_builder_column][fusion_builder_column type=»1_1″ layout=»1_1″ spacing=»» center_content=»no» hover_type=»none» link=»» min_height=»» hide_on_mobile=»small-visibility,medium-visibility,large-visibility» class=»» id=»» background_color=»» background_image=»» background_position=»left top» undefined=»» background_repeat=»no-repeat» border_size=»0″ border_color=»» border_style=»solid» border_position=»all» padding=»0px 0px 0 0px» margin_top=»» margin_bottom=»» animation_type=»» animation_direction=»left» animation_speed=»0.3″ animation_offset=»» last=»no»][fusion_testimonials design=»classic» random=»no» hide_on_mobile=»small-visibility,medium-visibility,large-visibility»][fusion_testimonial name=»Marcel Siegrist» avatar=»none» company=»Solothurner Zeitung, 29. April 2014 » link=»https://www.solothurnerzeitung.ch/beitrag/leserbeitrag/ein-neuer-schauplatz-fuer-perkussion-127925355″ target=»_blank»]
«Als absoluten Höhepunkt konnte man sicher den Moment bezeichnen, als sie ein Fahrrad als Trommel benutzte und ihm auch Trommelklänge entlockte … Edith Habraken unterstrich ihr Programm zudem mit einer grossen Prise Humor … Sie konnte das volle Haus auf ihre eigene, virtuose Art und Weise verzaubern.»
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